In Joiner's photographs, she memorializes the connections of home, between the self and family, acknowledging how fragile they may become in the wake of grief.
Displacement and the destruction of built environments is a violence that is often not described as such. This exhibition tries to depict that in a clear way, that this is a really real form of violence against communities.
In this moment of climate catastrophe, All Four Seasons in Equal Measure reads as both lament and plea: mourning the loss of biodiversity and climatic predictability while urging us to look and listen to what remains of the wild.
We are constantly bombarded with images that contain motives. With this exhibit, we want people to really think about that and remember that the photos they are looking at are constructed, maybe by a photographer, and now maybe by AI.
No Comply may be in retirement, but its spirit will keep moving through the city in the people who built it and the crowds who gathered for it. Thank you to each and every one of the organizers and for everyone who helped make it possible.
Peter Price’s debut solo exhibition at Snide Hotel Gallery, Third Person Omniscient, implies through name and form, an arcane tether spanning time and space, cast and narrator.
Shop Kudzu jelly
Shop Kudzu jelly
